Sunday, September 30, 2012

Amateurs Make the World Go Round


This week, we were tasked with reading articles on some websites that make the internet world turn. Specifically, how both Youtube and Wikipedia do what they do efficiently. They're both new communities that developed from the Web 2.0 revolution. But while most people accept and love these resources, there is some dissatisfaction with them. One of these naysayers, Andrew Keen, argues in his book, The Cult of the Amateur, that with the addition of these 'anyone can do it' websites, we are losing our culture, and declining in artistic prowess.

In reality, however, not much has changed.  While there are new technologies to facilitate easier access to knowledge of topics, the understanding of them is still the same.  Look at Wikipedia.  While it does allow for anyone, presumably non-experts, to create a ‘wikiality’, the facts must still be checked with concrete knowledge.  At the bottom of every Wiki page is a list of resources used, kind of an internet bibliography.  So while it is true that amateurs – “a hobbyist, knowledgeable or otherwise, someone who does not make a living from his or her field of interest” (Keen, 36) – make up the bulk of the editors on Wikipedia, the facts come from the experts themselves.

                Keen’s other problem arises in the land of citizen journalism.  He sees this as one of the many reaches of amateurism that erupted from the internet.  The way he sees it, only the people who went to college for journalism, or has a background in writing is allowed to report on events.  But those people can only report on so many things.  They’re paid to talk about certain things, and are allowed only that.  Citizen journalists, however, have no jurisdictions (besides the law, of course).  With the power of the internet, they also helped bring mainstream news to a wider variety of people.

                While he doesn’t mention Youtube and its creations, I’m sure he has some negative views on this video sharing site.  It’s the definition of amateurism.  Whereas Wikipedia required knowledge of something, anything, Youtube just requires a camera.  Even I have a Youtube account, in my vain attempt to become noticed.  But that’s what it’s all about.  The millions of people on that website aren’t trying to destroy culture, and make a farce of art and expertise.  They’re trying to develop their expertise into a profitable venture.  Based on just the Youtubers I subscribe to, the talents these entrepreneurs have range from video arts (Vincent Cyr, FreddieWong), to actors/comedians (Toby Turner, Ryan Higa, Kevin Wu), and musicians (DavidChoi, Chester See, Destorm Powers, etc.).  Some of these artists, such as Freddie Wong and Toby Turner, have mentioned in their videos their educational background in videography and acting, respectively.  Yet in mainstream media, it’s rare to see these professional, amateur Youtubers.  Just because they haven’t been hired by a record company or film studio, doesn’t mean they aren’t qualified.

                In all, the internet isn’t a place for only the professional and expert.  It’s a melting pot of ideas, talents, upbringings, and intelligence.  From Wikipedia to Youtube, culture isn’t being destroyed; a new one is simply being born.
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Bibliography:
Keen, Andrew. The Cult of the Amateur: How Today's Internet Is Killing Our Culture. New York: Doubleday/Currency, 2007. Print.

Sunday, September 23, 2012

Real or Roleplay

When we were asked to read a couple chapters from Sherry Turkle's Alone Together, I was surprised to find that A. The text wasn't boring, and B. I could relate to some of her frustrations.  I say some because although I agree that as a whole, people are afraid of the telephone, resorting to calls as a last resort, when Turkle points out that we create virtual identities to substitute our own lives, I just can't stand with her.  Sure, there are people out there who live vicariously through their online 'avatars', but Turkle explodes this idea into massive proportions.

The example in particular that Turkle uses is that of a girl named Audrey, in chapter 10, 'No Need to Call'.  This teenager is used as a representative example to show that a majority of not just youth, but beings in general develop and cultivate an alternate world for themselves, as a stand-in of sorts when their real life day to day isn't great.  In the real world, Audrey is 'one of Elaine's shy friends who prefers texting to talking'.  Turkle goes on, describing Audrey's strained family relationship, and how Facebook and Myspace help her to be a happy, flirty teen and not the struggling 'woe is me' high school girl.  The problem is, she is one of a small minority who behave this way.

Take a step back and look at your own tendencies on social networking sites.  In my own immediate circle of friends, I notice that none of them show a side that I haven't seen in person.  They use Facebook as a way to stay connected, not develop a fantasy realm.  I also use it as a supplement, not a substitute, to the rigors of day to day life.  While the anonymity of the internet does let us be bolder, (I have ranted to it more than I would dare to in real life), the fact is, most people don't suffer from a Jekyll/Hyde complex.

Another case that I can speak with experience are the worlds of roleplay and MMO's (Massively Multiplayer Online [games]).  Having frequented both, I can understand Turkle's fear of losing yourself in a fantasy environment.  As I said earlier, there are people who do 'become their character', speaking with a certain dialect or having it transfer to their real life personalities.  But overall, people understand that what they're doing is fake.  Pretending you're slaying dragons or are a samurai in modern Japan is just that: pretend.

In all, I'm not complaining about Turkle's incentives for writing Alone Together.  Her arguments of the disconnectedness of humans today is spot on, and surely will get worse before it gets better.  But she's fooling herself and others when she claims that we lose ourselves in an online realm.  She doesn't factor in that although we prefer to live inside our minds, and think that it's the real deal, we know that it's fake.  The real world will be here after our imaginary worlds end, and that's where we love to live.